Anna Caterina Antonacci
Anna Caterina, a soprano who has been deemed to be among the most outstanding of her generation, was awarded the highly coveted Voci Verdiane Callas Competition and Pavarotti Awards. The award she received was the title of 'Chevalier de L'Ordre National of the Legion d'honneur' from the French Republic, which is the most prestigious national award one can receive. Era la Notte was her first album with Naive which received lots of applause. Her second recording called L'Alba separadilla luce of the Ombra Wigmore Live featuring Tosti Ciela and Hahn with Donald Sulzen has been equally popular. Anna Caterina was elected one of the Accademici Effettivi by the distinguished panellists at the General Assembly of the Academicians of Santa Cecilia in 2021. Anna Caterina performed as Madame de Croissy at Teatro dell'Opera di Roma for the 22/23 season. The show had been conducted by Emma Dante. It is expected that she will reprise her part later on in the season at the Bayerische Staatsoper. Anna Caterina Antonacci, an Italian soprano is known for her bel canto and Baroque. She was mezzo-soprano over a number of years especially in the Rossini canon. Anna Caterina Antonacci stands at the height of 62. Anna Caterina Antonacci height, weight and body dimensions will be released shortly. Antonacci is dating. There is no one she's dating. No information is available about She and her previous relationships. According to our data, she's never had children. Her net worth has been growing substantially in the years 2022-2023. What's Anna Caterina Antonacci's networth now that she is 62? Anna Caterina Antonacci earns most of her income from being successful. Anna Caterina Antonacci was born on the 5th of April in 1961. She is a soprano from Italy. She has played roles in the Baroque repertoire and also belcanto. Mezzosoprano Antonacci was a specialist in Rossini's canon for long periods. Antonacci studied in Bologna and made her debut with the title Rosina in 1986 in Arezzo. The full profile of her was published in the New York Times in March 2012.
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